The Notes
A note from the Editor: This post is unrelated to The Zen of Magic: Avoiding Method Overloading.
A note from Drew regarding when and how this post was written: I first had this idea during my final year at university. I was taking a mysticism and occult class (religious studies) and we were required to write about a life experience involving a great coincidence or a “miracle”. I decided to write about the time I pulled off the Berglas Effect with pure luck. (Okay, my life isn’t that mundane, but I figured it’d be a good setup to perform for the professor at some point. I digress.) During the assignment we were asked to attempt to explain the cause of that occurrence. I came up with the theory you’re about to read in this post.
This post was greatly inspired by David Berglas, and was written while he was alive with the exception of “The Examples”. It has taken a while to work its way through the queue, and the International Man of Mystery has passed away since.
The Post
This is inspired by a little chapter inside The Berglas Effects. You won’t have to empty your bank account to understand this post, don’t worry. However, if you’ve read the book, you’ll know that Mr. Berglas talks about “zen” in performance.
He has some interesting thoughts on the subject that are worth looking into. I am someone that is by no means heavily religious nor spiritual, but through many performances I’ve come up with an observation.
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